Louisa Matthiasdottir

Martica Sawin sees in Matthiasdottir's portraits of her daughter a penetrating record of the mother-daughter relationship, and argues that they comprise a "gradual acknowledgement of individuality and self-sufficiency." We learn of her early encounters with artists such as Alberto Giacometti and Jean Helion, and the gathering support for her paintings among critics, including John Ashbery and Hilton Kramer. Underlying everything that Louisa Matthiasdottir did up until the time of her death.